You care about the photographs. I’m going to assume that’s probably why you’re here.
But you’ve also looked at enough wedding photography by now that the words have started to lose their meaning. Documentary. Editorial. Timeless. Film. Cinematic.
I think what you’re looking for is simpler. You want to recognize your life in the photographs.
The people you love. The things you chose for a reason. The parts nobody could have planned. And yes, some really beautiful photographs we make simply because we have an idea and want to. Because eventually these stop being wedding photographs. And they just become part of you.
Art made from what was already there.
01
Weddings
Go be at your wedding. Hug people too long. Make it to cocktail hour. Forget where the camera is for a while. When something is already happening, I’ll pay attention before I ask for your attention.
And when the light gets good or we have a fun idea or it’s simply time to make a really lovely portrait, we’ll go make something together.
There is room for both.
02
Elopements
Maybe the whole thing is twelve people and dinner. Maybe it’s the two of you somewhere you love. Maybe you’ve thrown out almost everything weddings are “supposed” to include and kept the handful of things that actually mean something to you.
Good. I’ll photograph the day for exactly what it is. Yours.
03
Super 8 Video
There is something different about watching a memory move. The way someone laughed. The wind catching your clothing. Someone walking through the edge of the frame. The half second before you looked away.
Super 8 keeps all those strange little pieces. Not quite a wedding film. More like remembering one.
Vanity Fair UK (print)| 7 CENTERPIECES | zola | STRICKTLY WEDDINGS |BRIDES & WEDDINGS | hochzeits | Boho Weddings
Wedding photography begins at $5,200.
What you need depends on what you’re actually planning not what a wedding package says you should need.
Maybe eight hours makes sense. Maybe you want film everywhere. Maybe Super 8 belongs there too.
We’ll figure it out together.
Yes, when you need me to.
I’m not going to leave you standing somewhere wondering what on earth to do with your hands. I’ll give direction, move you into good light, and step in when it helps.
But I also know when to stop talking.
Some things don’t need my help. They just need me to notice them.
Perfectly normal. You’re not supposed to arrive knowing how to be photographed.
That’s my job.
I’ll give you something to do when you need it and space when you don’t. Eventually, I want you paying far more attention to each other than you are to me.
Not everything.
I photograph with both film and digital and choose between them based on what is happening in front of me.
Sometimes a moment belongs on 35mm. Sometimes medium format. Sometimes digital is exactly the right tool. I’m thinking about the photographs we’re making, not meeting a quota of how many rolls I shot.
In the end, it all belongs to the same story.
Then we photograph the wedding you actually had.
Rain happens. Timelines wander. Dinner runs late. The sun disappears before anyone expected it to.
Your wedding doesn’t become less worthy of beautiful photographs because conditions weren’t perfect.
Knowing what to do when they aren’t is part of my job.
Sometimes. Not always.
A second photographer can be wonderful for larger weddings, complicated timelines, or when important things are happening in two places at once.
If your wedding genuinely benefits from one, I’ll tell you. If it doesn’t, I’ll tell you that too.
More cameras don’t automatically make more meaningful photographs.
Enough to let your wedding breathe.
I don’t believe your day should be built around squeezing photographs into every available minute. We’ll look at what you’re planning, what matters to you, and how you actually want the day to feel.
Then we’ll figure out coverage from there.
Absolutely.
I’m based in Texas, but your story doesn’t have to be.
Tell me where we’re going.
You’ll receive a preview within 72 hours and your complete gallery within 6–8 weeks.
I hand-select and edit your photographs with the final collection in mind. I’d rather give the work the attention it deserves than race it to your inbox.
You probably care about the photographs quite a lot.
You just don’t want to spend your wedding thinking about them.
You want something beautiful without having to manufacture beautiful things all day. You care about the art, but you care about the people in it more.
If that sounds familiar, I think we’ll get along just fine.